ARCHIVING PHOTOGRAPHIC LEGENDS – RAGHU RAI

Raghu Rai

Raghu Rai is a renowned photojournalist in the Indian history of photography. Rai became a photographer in year 1965 and he managed to make an entry in “The Statesman, a New Delhi publication” the very next year. After serving the publication for 10 years he started Freelancing. From 1982 until 1992 he was a director of photography in India Today. He has also served the jury for World Press Photo three times. R.R was born in a small village called Jhang, British India (now in Pakistan). He is currently based in Delhi with his family and continues to be an associate of Magnum photos.

A photographer “by chance” by his own admission, Raghu Rai started off with a box camera presented to him by his brother. He started pursuing photography in 1965 and joined The Statesman as Chief Photographer in 1966. He went on to become Picture Editor at Sunday, a weekly news magazine published from Calcutta, and remained there from 1977 to 1980. In1971 Raghu Rai was nominated for Magnum Photos, the world’s most prestigious photographers’ cooperative, by the legendary photographer Henri Cartier Bresson.

Since 1985, Rai has specialized in the extensive coverage of India and has produced more than 18 books, including Raghu Rai’s DelhiThe SikhsCalcuttaKhajurahoTaj MahalTibet in Exile, India and so on. The mention of these books unmistakably would guide one to understand him as an empathetic, humanist manufacturer of images. His work reminds the viewer over and again that it is the mind behind the lens that makes a good picture.

Over the years Rai has become one of India’s most recognized photographers and is respected for his insight while focusing on his subject matter, as well as for being a photographer inspired and intrigued by the multitude of Indian culture, capturing glimpses of the panorama through his lenses.

As a critic of his own work, he writes, “The time we live in is complex and multilayered. The experience of India is horizontal, it does not begin from anywhere, nor does it end anywhere. There comes a saturation point in any art form, the overloading of expression shows it down. A moment in space is just not enough and a panoramic experience creates the possibility of capturing simultaneity of moments happening in any given situation. And it opens up a much larger canvas to deal with.” Rai’s own words best describe his work with uttermost humility and sensibility. Raghu Rai lives and works in New Delhi.

He has achieved:

  • The Padmashree in 1971,
  • National Geographic cover story “Human Management of Wildlife in India” won him widespread critical acclaim for the piece. (1992)
  • Photographer of the year from USA (1992)

Raghu Rai’s work has created a mark in the Indian history. He has documented subjects that included Indira Gandhi (1974), the cities of Delhi (1983), the Sikhs (1984), Tibet in exile (1990), Mother Teresa (1996), The Bhopal disaster (2002). Twenty-five of his photographs are held in the permanent collection of France’s Bibliotheque Nationale and in 1997 the National Gallery of Modern Art in Delhi gave him the first retrospective exhibition dedicated to the work of a contemporary Indian photographer.

5 Photography tips from Ace photographer Raghu Rai

  •  “Skills are never taught, they are acquired. I can give you a camera. But can’t feed your vision.”
  • “Photography is a struggle to respond to the situations and realize its importance. Death and life don’t wait for anyone. One has to understand this hidden meaning before picking up a camera.”
  • “Nonprofessional photographers should begin clicking portraits as it teaches them to connect with emotions better than juggling between doing overambitious pictures”
  • “If your mind is not connected to what you are shooting then you are not a hood photographer”
  • “A creative photographer is one who either captures mystery or reveals things, everything else is useless.”

To find more of Raghu Rai’s interesting work log onto :

This post is a part of GLOBAL IDENTITY SERIES Project initiated by Dravasp Shroff.

MOST DESIRABLES 2017

Global Identity Series

1. FUJIFILM X-T2


Product name – FUJIFILM X-T2 (Digital Camera)
Release date – September 2016

Features in a Nutshell

  • 24.3MP X-Trans™* CMOS III & X-Processor Pro
  • Improved AF Performance
  • New AF-C Custom Setting
  • New EVF (Magnification ratio 0.77x, Shutter time lag 0.005 sec, 100fps live-view)
  • New 4K Video Recording
  • New Optional Vertical Power Booster Grip
  • Weather resistant structure (Have not tested in extreme weather conditions)

Why I would buy this?

  • Ridiculously Fast 325 AF Points
  • Vertical Power Booster Grip (increased performance)
  • Dual Card Slots
  • Compact

My Lens of Choice

  • Fujifilm XF 56mm f/1.2 R APD Lens
  • Fujifilm XF 50mm F2 R WR
  • Fujifilm XF 35mm F2 R WR

Source: Fujifilm Website / Fujifilm LensesDPreview.com

Tags: #fuji #film #digital #compact #xf  #rapd  #lens  #boost  #af #autofocus  #onflash  #photography #fourkrecording #record #fast #dualcard #xtrans #evf #video

2. Canon 5D Mark IV

Product name – Canon 5D Mark IV (Digital Camera)
Announced – Aug 25, 2016

Features in a Nutshell

  • Full frame CMOS DIGIC 6+ processor, Dual Pixel AF system, and 4K video capture
  • Resolution 6720 x 4480 (30 Megapixels)
  • ISO up to 102400
  • Maximum Shutter Speed 1/8000 sec
  • 7 fps continuous shooting
  • 61-point AF system with 41 cross-type sensors
  • Low Light Performance
  • USB 3.0 (5 Gbit/sec)

My Lens of Choice

  • Zeiss Milvus 18mm F2.8
  • Zeiss Milvus 100mm F2
  • Canon EF 16-35mm F2.8L III USM

Source: Canon.com / Canon LensesZeissDPreview.com

Tags: #canon #film #digital #compact #ef  #efmount  #lens  #boost  #af #autofocus  #shoemount  #photography #fourkrecording #record #fast #dualcard #cmos #shutterspeed #stills #video

3. Nikon D500


Product name – Nikon D500 (Digital Camera)
Announced – Jan 5, 2016

Features in a Nutshell

  • APS-C (23.5 x 15.7 mm) CMOS
  • ISO up to 1640000 (Low Light Performance)
  • 5568 x 3712 (21 megapixels)
  • SD/SDHC/SDXC (UHS-II compliant) + XQD
  • USB 3.0 (5 Gbit/sec)

My Lens of Choice

  • Nikon AF-S Nikkor 105mm F1.4E ED
  • Nikon AF-S DX Nikkor 17-55mm f/2.8G ED-IF

Source: NikonNikkorDPreview.com

Tags: #nikon #film #digital #compact #dx  #mount  #lens  #boost  #af #autofocus  #photography #videorecording #record #fast #dualcard #nikkor #shutterspeed #stills #video

4. Sony Alpha a99 II


Product name – Alpha a99 II (Digital Camera)
Announced – Sep 19, 2016

Features in a Nutshell

  • APS-C (23.5 x 15.7 mm) CMOS
  • ISO up to 1640000 (Low Light Performance)
  • 5568 x 3712 (21 megapixels)
  • SD/SDHC/SDXC (UHS-II compliant) + XQD
  • USB 3.0 (5 Gbit/sec)

My Lens of Choice

  • Sony Vario-Sonnar T* 24-70mm F2.8 ZA SSM II
  • Sony 24mm F2 SSM Carl Zeiss Distagon T*

Source: Sony / ZeissDPreview.com

Tags: #sony #film #digital #compact #alpha  #mount  #lens  #boost  #af #autofocus  #shoemount  #photography #videorecording #record #fast #dualcard #cmos #shutterspeed #stills #video

Lenses by Brand

Fujifilm / Sony / Zeiss / Canon / Nikkor

GLOBAL IDENTITY SERIES

Global Identity Series

Global Identity Series is a project of Dravasp Shroff based on establishing a set of key figures and their description  with the community that the world today has forgotten by utilizing art, photographs, music, video and almost all the information available to initiate a thought in the minds of the common people. It could be just a common man to a legend or a celebrity. We are constantly trying to attempt capturing the unknown and I am doing just that, well, with a different perspective. As soon as the rendering begins to fade, the veracity and the perfection of the artwork loses importance and allows us to delve into the concept of identity and its fluxion.

With powerful individual vision, perception of thoughts and legendary work of these great men tend to reach the minds of the common, I shall not stop…” – Dravasp Shroff

Till Now on Global Identity Series: